Care Work: dreaming disability justice by
Lambda Literary Award winning poet and essayist and long-time disability justice advocate Leah Piepzna-Samarasinha writes passionately and personally about disability justice in her latest book of essays. Discussing subjects such as the creation of care webs, collective access, and radically accessible spaces, she also imparts her own survivor skills and wisdom based on her years of activist work, empowering the disabled - in particular, those in queer and/or BIPOC communities - and granting them the necessary tools by which they can imagine a future where no one is left behind.
Nonconformers by
A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative effect on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day. Nonconformers includes work by Henry Darger, Hilma af Klint, and Bill Traylor alongside that of many other artists who deserve widespread recognition. The book reviews how self-taught artists influenced key movements of twentieth-century art and highlights the voices of contemporary practitioners, offering new interviews with William Scott, Mamadou Cissé, and George Widener. An international group of contributors addresses topics such as the development of the Black Folk Art movement in America and l'Art Brut in France, the creative process of self-taught artists working outside of traditional studios, and the themes of figuration, landscape, and abstraction. Global in scope and with chronological breadth, this alternative narrative is an essential introduction to the genre long known as "Outsider Art."
Mismatch: how inclusion shapes design by
How inclusive methods can build elegant design solutions that work for all. Sometimes designed objects reject their users: a computer mouse that doesn't work for left-handed people, for example, or a touchscreen payment system that only works for people who read English phrases, have 20/20 vision, and use a credit card. Something as simple as color choices can render a product unusable for millions. These mismatches are the building blocks of exclusion. In Mismatch, Kat Holmes describes how design can lead to exclusion, and how design can also remedy exclusion. Inclusive design methods--designing objects with rather than for excluded users--can create elegant solutions that work well and benefit all. Holmes tells stories of pioneers of inclusive design, many of whom were drawn to work on inclusion because of their own experiences of exclusion. A gamer and designer who depends on voice recognition shows Holmes his "Wall of Exclusion," which displays dozens of game controllers that require two hands to operate; an architect shares her firsthand knowledge of how design can fail communities, gleaned from growing up in Detroit's housing projects; an astronomer who began to lose her eyesight adapts a technique called "sonification" so she can "listen" to the stars. Designing for inclusion is not a feel-good sideline. Holmes shows how inclusion can be a source of innovation and growth, especially for digital technologies. It can be a catalyst for creativity and a boost for the bottom line as a customer base expands. And each time we remedy a mismatched interaction, we create an opportunity for more people to contribute to society in meaningful ways.
This Is How I Disappear by
An affecting glimpse into the ways millennials cope with mental health struggles Clara's at a breaking point. She's got writer's block, her friends ask a lot without giving much, her psychologist is useless, and her demanding publishing job leaves little time for self care. She seeks solace in the community around her, yet, while her friends provide support and comfort, she is often left feeling empty, unable to express an underlying depression that leaves her immobilized and stifles any attempts at completing her poetry collection. In This Is How I Disappear, Mirion Malle paints an empathetic portrait of a young woman wrestling with psychological stress and the trauma following a sexual assault. Malle displays frankness and a remarkable emotional intelligence as she explores depression, isolation, and self-harm in her expertly drawn novel. Her heroine battles an onslaught of painful emotions and while Clara can provide consolation to those around her, she finds it difficult to bestow the same understanding on herself. Only when she allows her community to guide her toward self-love does she find relief. Filled with 21st century idioms and social media communication, This Is How I Disappear opens a window onto the lives of young people as they face a barrage of mental health hurdles. Scenes of sisterhood, fun nights out singing karaoke, and impromptu FaceTime therapy sessions show how this generation is coping, connecting, and healing together.
Disability in Comic Books and Graphic Narratives by
As there has yet to be any substantial scrutiny of the complex confluences a more sustained dialogue between disability studies and comics studies might suggest, Disability in Comic Books and Graphic Narratives aims through its broad range of approaches and focus points to explore this exciting subject in productive and provocative ways.
Crip Kinship by
The remarkable story of Sins Invalid, a performance project that centres queer disability justice. In recent years, disability activism has come into its own as a vital and necessary means to acknowledge the power and resilience of the disabled community, and to call out ableist culture wherever it appears. Crip Kinship explores the art activism of Sins Invalid, a San Francisco Bay Area-based performance project, and its radical imaginings of what disabled, queer, trans, and gender-nonconforming bodyminds of colour can do: how they can rewrite oppression, and how they can gift us with transformational lessons for our collective survival. Grounded in the disability justice framework, Crip Kinship investigates the revolutionary survival teachings that disabled, queer of colour community offers to all our bodyminds. From their focus on crip beauty and sexuality to manifesting digital kinship networks and crip-centric liberated zones, Sins Invalid empowers and moves us toward generating our collective liberation from our bodyminds outward. Includes a foreword by Patty Berne, co-founder, and executive and artistic director of Sins Invalid.
Designing Disability: symbols, space, and society by
Designing Disability traces the emergence of an idea and an ideal - physical access for the disabled - through the evolution of the iconic International Symbol of Access (ISA). The book draws on design history, material culture and recent critical disability studies to examine not only the development of a design icon, but also the cultural history surrounding it.Infirmity and illness may be seen as part of human experience, but 'disability' is a social construct, a way of thinking about and responding to a natural human condition. Elizabeth Guffey's highly original and wide-ranging study considers the period both before and after the introduction of the ISA, tracing the design history of the wheelchair, a product which revolutionised the mobility needs of many disabled people from the 1930s onwards. She also examines the rise of 'barrier-free architecture' in the reception of the ISA, and explores how the symbol became widely adopted and even a mark of identity for some, especially within the Disability Rights Movement. Yet despite the social progress which is inextricably linked to the ISA, a growing debate has unfurled around the symbol and its meanings. The most vigorous critiques today have involved guerrilla art, graffiti and studio practice, reflecting new challenges to the relationship between design and disability in the twenty-first century.
Inner Grace by
From Amazon: The subject of Inner Grace is the multi handicapped institutionalized individual. This includes the mentally challenged, the blind, and the cerebral palsied. Grace is defined as "elegance or beauty of form, manner, motion or act... the influence or spirit of God operating in man to regenerate or strengthen him." It is a state that exists in the joy of being as well as the effort of trying. The photographs embrace moments of innocence, accomplishment, serenity, pride, and struggle. In accepting the limitations that life imposes on us, we can often overcome them. This is demonstrated by the youth in the pool who, despite a twisted spine and limited muscle movements, yields to the water, and in so doing learns how to swim. The images reveal beauty in the distorted body and bring us closer to the conquering spirit in man. As we learn to carry our burdens well, in the yielding and in the striving, we become imbued with the favor and love of God. This assistance, the influence of the freely given, is grace. To me the photographs form a prayer--not only in the making of them, but now in the sharing of them.
Parenthesis by
A triumph of graphic memoir, Parenthesis narrates the author's experience with tumor-related epilepsy--losing herself, and finding herself again. Judith is barely out of her teens when a tumor begins pressing on her brain, ushering in a new world of seizures, memory gaps, and loss of self. Suddenly, the sentence of her normal life has been interrupted by the opening of a parenthesis that may never close. Based on the real experiences of cartoonist lodie Durand, Parenthesis is a gripping testament of struggle, fragility, acceptance, and transformation which was deservedly awarded the Revelation Prize of the Angoulame International Comics Festival.
American Genre Painting: the politics of everyday life by
American genre painting flourished in the thirty years before the Civil War, a period of rapid social change that followed the election of President Andrew Jackson. It has long been assumed that these paintings-of farmers, western boatmen and trappers, blacks both slave and free, middle-class women, urban urchins, and other everyday folk-served as records of an innocent age, reflecting a Jacksonian optimism and faith in the common man. In this enlightening book Elizabeth Johns presents a different interpretation-arguing that genre paintings had a social function that related in a more significant and less idealistic way to the political and cultural life of the time. Analyzing works by William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, and others, Johns reveals the humor and cynicism in the paintings and places them in the context of stories about the American character that appeared in sources ranging from almanacs and newspapers to joke books and political caricature. She compares the productions of American painters with those of earlier Dutch, English, and French genre artists, showing the distinctive interests of American viewers. Arguing that art is socially constructed to meet the interests of its patrons and viewers, she demonstrates that the audience for American genre paintings consisted of New Yorkers with a highly developed ambition for political and social leadership, who enjoyed setting up citizens of the new democracy as targets of satire or condescension to satisfy their need for superiority. It was this network of social hierarchies and prejudices-and not a blissful celebration of American democracy-that informed the look and the richly ambiguous content of genre painting.
Becoming America: highlights from the Jonathan and Karin Fielding collection of folk art by
Celebrating two collectors' passion for Americana and the window it provides into the everyday beauty of the past Becoming America offers a multifaceted view of one of the foremost collections of 18th- and 19th-century American folk and decorative art from the rural Northeast. Essays by leading specialists discuss the culture of furniture workshops, exuberant painted decoration, techniques of sewing and quilting, and poignant stories about the families depicted in the portraits. The collection itself includes Shaker boxes, a beaded Iroquois hat, embroidered samplers, metalwork, scrimshaw, handwoven rugs, ceramics, and a weather vane. The majority of these works have never before been published. With lively essays and profuse illustrations, this handsome volume brings to life the aesthetic of early Americans living in the countryside and is an essential exploration of the period's taste and style. Distributed for The Huntington Library, Art Collections, and Botanical Gardens Exhibition Schedule: The Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA (October 22, 2016-ongoing)
Survival Street by
Survival Street is a unrepentant action satire tearing through a dystopia packed with economic and humanistic cautionary tales. After an unbridled wave of corporations take over America, the country is left completely deregulated and effectively carved up into feudal states where billionaires and businesses make their own laws. Among the wreckage, mass privatization shuts down public broadcasting forcing all the beloved edu-tainers out on the down and dirty streets. One group of them stick together, determined to keep helping kids across the country and do it by becoming an A-Team-esque band of mercenaries fighting for (and educating!) kids in the crumbling, corporate war zone of New Best America. A candy coating of pop culture madness, humor, cartoonishly absurd hyper-violence, and just enough hope to keep holding on. Collects Survival Street #1-#4.
Constitution Illustrated by
The master of the visual mash-up returns with his signature idiosyncratic take on the Constitution R. Sikoryak is the master of the pop culture pastiche. In Masterpiece Comics, he interpreted classic literature with defining twentieth-century comics. With Terms and Conditions, he made the unreadable contract that everyone signs, and no one reads, readable. He employs his magic yet again to investigate the very framework of the country with Constitution Illustrated. By visually interpreting the complete text of the supreme law of the land with more than a century of American pop culture icons, Sikoryak distills the very essence of the government legalese from the abstract to the tangible, the historical to the contemporary. Among Sikoryak's spot-on unions of government articles and amendments with famous comic-book characters: the Eighteenth Amendment that instituted prohibition is articulated with Homer Simpson running from Chief Wiggum; the Fourteenth Amendment that solidifies citizenship to all people born and naturalized in the United States is personified by Ms. Marvel; and, of course, the Nineteenth Amendment offering women the right to vote is a glorious depiction of Wonder Woman breaking free from her chains. American artists from George Herriman (Krazy Kat) and Charles Schulz (Peanuts) to Raina Telgemeier (Sisters) and Alison Bechdel (Dykes to Watch Out For) are homaged, with their characters reimagined in historical costumes and situations. We the People has never been more apt.
Art of the United States, 1750-2000 by
Art of the United States is a landmark volume that presents three centuries of US art through a broad array of historical texts, including writings by artists, critics, patrons, literary figures, and other commentators. Combining a wide-ranging selection of texts with high-quality reproductions of artworks, it offers a resource for the study and understanding of the visual arts of the United States. With contextual essays, explanatory headnotes, a chronology of US historical landmarks, maps, and full-color illustrations of key artworks, the volume will appeal to national and international audiences ranging from undergraduates and museum visitors to art historians and other scholars. Texts by a range of artists and cultural figures--including John Adams, Thomas Cole, Frederick Douglass, Mary Cassatt, Edward Hopper, Clement Greenberg, and Cindy Sherman--are grouped according to historical era alongside additional featured artists. A sourcebook of unprecedented breadth and depth, Art of the United States brings together multiple voices throughout the ages to provide a framework for learning and critical thinking on US art.
The American Dream? by
As a child growing up in Malaysia, Shing Yin Khor had two very different ideas of what "America" meant. The first looked a lot like Hollywood, full of beautiful people, sunlight, and freeways. The second looked more like The Grapes of Wrath--a nightmare landscape filled with impoverished people, broken-down cars, barren landscapes, and broken dreams. Follow along on Shing's solo journey (small adventure-dog included) along the iconic Route 66, beginning in Santa Monica and ending up Chicago. What begins as a road trip ends up as something more like a pilgrimage in search of an American landscape that seems forever shifting and forever out of place. "Just like Shing in real life, The American Dream? is quirky, honest,captivating, and filled with recollections of weird roadside statues."--Carol L. Tilley, comics historian and information science professor "Shing Yin Khor's debut graphic memoir The American Dream? is thecritical antidote to the whitewashed narratives of the great Americanroad trip."--Kristina Wong, performance artist and activist "A lovely, deceptively simple road trip memoir that revels in quirkydiscovery and quiet adventure while grappling with the anger andlonging of one immigrant's experience."--Greg Pak, comic book writer "Khor takes that 'feeling of desperately searching for something better, for a new start,' and adapts it to their own 'pilgrimage' as immigrant and artist traveling historic Route 66 . . . in whimsical full-color detail."--starred, Booklist "This is a book that will make you want to pack a bag, jump in your car and travel across America."--Geek Mom A Forbes Best Graphic Novel of 2019
Redbone: the True Story of a Native American Rock Band by
You've heard the hit song "Come and Get Your Love" in the movie Guardians of the Galaxy, but the story of the band behind it is one of cultural, political, and social importance. Brothers Pat and Lolly Vegas were talented Native American rock musicians that took the 1960s Sunset Strip by storm. They influenced The Doors and jammed with Jimmy Hendrix before he was "Jimi," and the idea of a band made up of all Native Americans soon followed. Determined to control their creative vision and maintain their cultural identity, they eventually signed a deal with Epic Records in 1969. But as the American Indian Movement gained momentum the band took a stand, choosing pride in their ancestry over continued commercial reward. Created in cooperation of the Vegas family, authors Christian Staebler and Sonia Paolini with artist Thibault Balahy take painstaking steps to ensure the historical accuracy of this important and often overlooked story of America's past. Part biography and part research journalism, Redbone provides a voice to a people long neglected in American history.
Across the Tracks by
One hundred years after the Tulsa Race Massacre, Across the Tracks is a celebration and memorial of Greenwood, Oklahoma In Across the Tracks: Remembering Greenwood, Black Wall Street, and the Tulsa Race Massacre, author Alverne Ball and illustrator Stacey Robinson have crafted a love letter to Greenwood, Oklahoma. Also known as Black Wall Street, Greenwood was a community whose importance is often overshadowed by the atrocious massacre that took place there in 1921. Across the Tracks introduces the reader to the businesses and townsfolk who flourished in this unprecedented time of prosperity for Black Americans. We learn about Greenwood and why it is essential to remember the great achievements of the community as well as the tragedy which nearly erased it. However, Ball is careful to recount the eventual recovery of Greenwood. With additional supplementary materials including a detailed preface, timeline, and historical essay, Across the Tracks offers a thorough examination of the rise, fall, and rebirth of Black Wall Street.
Humans by
Surveys the representations and constructions of the human being in American art. Humans are organisms, but "the human being" is a term referring to a complicated, self-contradictory, and historically evolving set of concepts and practices. Humans explores competing versions, constructs, and ideas of the human being that have figured prominently in the arts of the United States. These essays consider a range of artworks from the colonial period to the present, examining how they have reflected, shaped, and modeled ideas of the human in American culture and politics. The book addresses to what extent artworks have conferred more humanity on some human beings than others, how art has shaped ideas about the relationships between humans and other beings and things, and in what ways different artistic constructions of the human being evolved, clashed, and intermingled over the course of American history. Humans both tells the history of a concept foundational to US civilization and proposes new means for its urgently needed rethinking.