#ICP Concerned: Global Images for Global Crisis by
A diary for a world-wide pandemic, #ICPConcerned captures 263 days in 2020 recorded by 820 photographers curated from over 60,000 submissions. This is the book form of an exhibition at the International Center of Photography Museum (ICP) that became a digital phenomenon in lockdown.
Across the Tracks by
One hundred years after the Tulsa Race Massacre, Across the Tracks is a celebration and memorial of Greenwood, Oklahoma In Across the Tracks: Remembering Greenwood, Black Wall Street, and the Tulsa Race Massacre, author Alverne Ball and illustrator Stacey Robinson have crafted a love letter to Greenwood, Oklahoma. Also known as Black Wall Street, Greenwood was a community whose importance is often overshadowed by the atrocious massacre that took place there in 1921. Across the Tracks introduces the reader to the businesses and townsfolk who flourished in this unprecedented time of prosperity for Black Americans. We learn about Greenwood and why it is essential to remember the great achievements of the community as well as the tragedy which nearly erased it. However, Ball is careful to recount the eventual recovery of Greenwood. With additional supplementary materials including a detailed preface, timeline, and historical essay, Across the Tracks offers a thorough examination of the rise, fall, and rebirth of Black Wall Street.
Adam Pendleton: Who Is Queen? a Reader by
Adam Pendleton (American, b. 1984) is a conceptual artist who uses historical and aesthetic content from visual culture to explore the ways in which context influences meaning. Drawing from a substantial archive that references both artistic and cultural movements, including Dada, Minimalism, Black Power, and the Civil Rights movement, among others, Pendleton reconfigures words, forms, and images to provoke critical questioning. Published to accompany a multimedia installation at MoMA, this reader serves as a primer and handbook to the exhibition and features an artist intervention of photocopied textual sources, many of which directly relate to the content and programming of the exhibition. The project questions the notion of the museum as repository, and addresses the influence that mass movements, including those of the last decade such as Black Lives Matter and Occupy, can have on the exhibition as form. Drawing on the work of figures as disparate as Michael Hardt, Ruby Sales, and Glenn Gould, Who Is Queen? seeks to explore the nexus of abstraction and politics.
Almost American Girl by
Harvey Award Nominee, Best Children or Young Adult Book A powerful and moving teen graphic novel memoir about immigration, belonging, and how arts can save a life--perfect for fans of American Born Chinese and Hey, Kiddo. For as long as she can remember, it's been Robin and her mom against the world. Growing up as the only child of a single mother in Seoul, Korea, wasn't always easy, but it has bonded them fiercely together. So when a vacation to visit friends in Huntsville, Alabama, unexpectedly becomes a permanent relocation--following her mother's announcement that she's getting married--Robin is devastated. Overnight, her life changes. She is dropped into a new school where she doesn't understand the language and struggles to keep up. She is completely cut off from her friends in Seoul and has no access to her beloved comics. At home, she doesn't fit in with her new stepfamily, and worst of all, she is furious with the one person she is closest to--her mother. Then one day Robin's mother enrolls her in a local comic drawing class, which opens the window to a future Robin could never have imagined. This nonfiction graphic novel with four starred reviews is an excellent choice for teens and also accelerated tween readers, both for independent reading and units on immigration, memoirs, and the search for identity.
Art and Graphic Design by
An innovative exploration of the intersection of graphic design and American art of the 1960s and 1970s This fascinating study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha's brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects--some of which have never been discussed before--combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.
The Art of Print: from Hogarth to Hockney by
Prints have played a unique and important role in the history of art and image. This engaging book explores the numerous ways artists have embraced printmaking over the course of three centuries. Each of the works illustrated has been selected to reflect the broad spectrum of techniques and purposes, which are explained in clear and concise terms. The featured artworks are among the highlights of Tate's extensive but little-known print collection, a remarkable grouping no book has previously attempted to survey. Among the leading artists for whom printmaking has been an important and experimental part of their practice are William Hogarth, George Stubbs, William Blake, J.M.W. Turner, Pablo Picasso, Barbara Hepworth, Andy Warhol, Lucian Freud, Bridget Riley, Paula Rego, William Kentridge, and Kara Walker. Yet printmaking remains somewhat mysterious as a topic, perhaps because original prints are often understood as "reproductions," or wrongly given a similar status to preparatory sketches and archival material. In fact, prints are finished artworks, often the result of highly considered creative experimentation with print processes. Chapters are structured around different types of printmaking, allowing each section to reveal the various ways artists have engaged with the different techniques. In addition to complete reproductions of more than 120 works, carefully selected details enable the reader to examine closely some of the remarkable visual effects seen in the prints.
Barbara Earl Thomas by
Barbara Earl Thomas?s new body of work carries within it the sediments of history and grapples with race and the color line. At the heart of it lies a story of life and death, hope and resilience?a child?s survival. With her quietly glowing portraits of young Black boys and girls, Thomas puts before us the humble question: can we see, and be present to, the humanity, the trust, the hopes and dreams of each of these children? The Geography of Innocence offers a reexamination of Black portraiture and the preconceived dichotomies of innocence and guilt and sin and redemption, and the ways in which these notions are assigned and distorted along cultural and racial lines. Two interconnected visual arguments unfold: a portrait gallery of children from the artist?s extended community and an illuminated environment that appears like a delicate paper lantern. To accompany the visual elements, the book?s essays examine Thomas?s work in the context of different art historical portraiture traditions and political relevance. Thomas also contributes an interview and an essay reflecting on the current climate in which the work exists.
Becoming a Student-Ready College by
Boost student success by reversing your perspective on college readiness The national conversation asking "Are students college-ready?" concentrates on numerous factors that are beyond higher education's control. Becoming a Student-Ready College flips the college readiness conversation to provide a new perspective on creating institutional value and facilitating student success. Instead of focusing on student preparedness for college (or lack thereof), this book asks the more pragmatic question of what are colleges and universities doing to prepare for the students who are entering their institutions? What must change in an institution's policies, practices, and culture in order to be student-ready? Clear and concise, this book is packed with insightful discussion and practical strategies for achieving your ambitious student success goals. These ideas for redesigning practices and policies provide more than food for thought--they offer a real-world framework for real institutional change. You'll learn: How educators can acknowledge their own biases and assumptions about underserved students in order to allow for change New ways to advance student learning and success How to develop and value student assets and social capital Strategies and approaches for creating a new student-focused culture of leadership at every level To truly become student-ready, educators must make difficult decisions, face the pressures of accountability, and address their preconceived notions about student success head-on. Becoming a Student-Ready College provides a reality check based on today's higher education environment.
Beyond the door of no return : confronting hidden colonial histories through contemporary art by
Summary: "... confronts hidden colonial histories through the lens of contemporary art.... illuminates the work of a diverse group of contemprary artists who engage with the legacy of transatlantic slavery and colonialism... presents and critically investigates artworks by artists such as John Akomfrah, La Vaugn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai, and Alberta Whittle, providing insight into aspects of colonial history that have been overlooked. As a result, Wendt exposes the long-term effects of colonialism on modern-day societies." --back cover.
Black, Brown + Latinx Design Educators by
In Black, Brown + Latinx Design Educators, Kelly Walters collects twelve deeply personal interviews with graphic design educators of color who teach at colleges and universities across the United States and Canada. The book centers the unique narratives of Black, Brown, and Latinx design educators, from their childhood experiences to their navigation of undergraduate and graduate studies and their career paths in academia and practice. The interviewees represent a cross-section of ethnic and multiracial backgrounds--African American, Jamaican, Indian, Pakistani, Puerto Rican, Dominican, Mexican, and Brazilian. Their impactful stories offer invaluable perspectives for students and emerging designers of color, creating an entry point to address the complexities of race in design and bring to light the challenges of teaching graphic design at different types of public and private institutions. Interwoven throughout the book are images that maintain cultural significance, from family heirlooms to design works that highlight aspects of their cultural identities. Readers will gain insight into the multitude of experiences of Black, Brown, and Latinx design educators who teach and work in the field today.
Bridget Riley by
This landmark book reflects on almost 70 years of works by Bridget Riley (b.1931), from some of her earliest to very recent projects, providing a unique record of the work of an artist still very much at the height of her powers. Essays from leading scholars and commentators on Riley's work will make this title the authority on new thinking around Riley's practice. The book includes a special 'in conversation with Bridget Riley' discussion conducted by Michael Bracewell. In the last decade, Riley has continued to push her practice considerably, producing several large-scale site-specific wall paintings as well as continuing to develop new paintings. This book will explore these recent developments, as well as showcasing a number of very early drawings and paintings by Riley never previously published. It will also examine the notable influence that other artists such as Georges Seurat and Piet Mondrian have had on Riley's work. AUTHOR: Lucy Askew is Senior Curator (Exhibitions) at the Scottish National Gallery of Modern Art, Edinburgh, specialising in post-war and contemporary art. Her previous publications include From Death to Death and Other Small Tales: Masterpieces from the Scottish National Gallery of Modern Art and the D.Dasklalopoulos Collection (2010) and Louise Bourgeois: A Woman without Secrets (2013). SELLING POINTS: * Includes up-to-date discussion of Riley's most recent works by leading scholars in the field * Featuring a number of very early drawings and paintings never before published * Includes a brand new interview with Bridget Riley conducted specifically for this book 120 colour images
Children's Corner
El Lissitzky for kids? Ellsworth Kelly? Surprisingly, both artists have designed and created artistss books for small children--or children at heart. This anthology of children's artists' books from the PLA Archive (Oasis for Art Books) in Merano, Italy, is designed like a children's book itself--small in scale, paperback, with strong tear-proof paper. Inside, one finds detailed reproductions of rarely seen books by Keith Haring, John Armleder, Andy Warhol and Bruno Munari, among many others. One particular standout is an exquisite little book by Japanese artist Katsumi Komagata, a colorful, abstract pop-out book with an origami-like design. A special section features color reproductions of artworks and installations by artists such as Joan Mir , Michelangelo Pistoletto and Alighero Boetti.
Cubism in Color by
Restoring a "perfect painter" to the Cubist canon Juan Gris (1887-1927) was central to the development of Cubism in the early 20th century. Though the writer and art collector Gertrude Stein considered him a "perfect painter," Gris's pivotal role within the movement has often been overshadowed. Cubism in Color: The Still Lifes of Juan Gris reveals the virtuosic range of the artist's short yet prolific career, illuminating his boundary-pushing contributions to Cubism. As a thorough examination of Gris's still lifes, Cubism in Color provides an important reassessment of this underappreciated artist, reestablishing his position as a modernist master. This fully illustrated volume traces the evolution of Gris's aesthetic and approach to still life through a selection of key works. It includes original essays by leading scholars in the field, offering new insights on Gris's elusive artistic process, the history of collecting his work in the United States and his native Spain, and his artistic legacy within modern and contemporary Latin American art. Distributed for the Dallas Museum of Art and The Baltimore Museum of Art Exhibition Schedule: Dallas Museum of Art (March 14-July 25, 2021) The Baltimore Museum of Art (September 12, 2021-January 9, 2022)
Designing a New Tradition by
In Designing a New Tradition, Rebecca VanDiveRebecca VanDiver is Assistant Professor of African American Art at Vanderbilt University.r presents a fresh perspective on the art and career of Loïs Mailou Jones. Considering the importance of Africa for Jones's work and examining the broader roles played by class, gender, and politics in constructions of African American art histories as a whole, VanDiver makes a convincing case for Jones's lasting place in American art history. VanDiver repositions Jones's work within the canon of American art, situating the artist's production within the larger cultural and aesthetic debates of the twentieth century, including modernism, abstraction, the Harlem Renaissance, feminism, Négritude, and Pan-Africanism. In doing so, VanDiver reveals one of Jones's most significant contributions to American art: the development of a composite black aesthetic that negotiates African, American, and European artistic traditions to reflect the increasingly fragmented nature of twentieth-century black identity and diasporic experiences. Tracing Jones's aesthetic transformations along a biographical arc, VanDiver offers a new framework for thinking about the connection between America and Africa and the role of the African diaspora in the creation of African American artistic identity. Accessibly written and filled with fascinating anecdotes about Jones's life and career, her many acquaintances, and the challenges she faced as a black woman artist working in the twentieth century, this book makes a singular contribution to a new and expanded art-historical canon.
Diane Arbus Documents by
Known for her evocative portraits, Diane Arbus is a pivotal figure in American postwar photography. Undeniably striking, Arbus's black-and-white photographs capture a unique gaze. Criticized as well as lauded for her photographs of people deemed "outsiders," Arbus continues to attract a diversity of opinions surrounding her subjects and practice. Critics and writers have described her work as "sinister" and "appalling" as well as "revelatory," "sincere," and "compassionate." In the absence of Arbus's own voice, art criticism and cultural shifts have shaped the language attributed to her work. Organized in eleven sections that focus on major exhibitions and significant events in Arbus's life, as well as on her practice and her subjects, the seventy facsimiles of articles and essays--an archive by all accounts--trace the discourse on Diane Arbus, contextualizing her hugely successful oeuvre. Also with an annotated bibliography of more than six hundred entries and a comprehensive exhibition history, Documents serves as an important resource for photographers, researchers, art historians, and art critics, in addition to students of art criticism and the interested reader alike.
Eecchhooeess by
EECCHHOOEESS is Norman H. Pritchard's second and final book, originally published in 1971 by New York University Press, and now reissued by DABA.
From the Sculptor's Studio by
Fiona Banner, Phyllida Barlow, Anthony Caro, Richard Deacon, Laura Ford, Antony Gormley, Mona Hatoum, Susan Hiller, Anish Kapoor, Tania Kovats, Richard Long, David Nash, Cornelia Parker, Marc Quinn, Peter Randall-Page, Eva Rothschild, Richard Wentworth, Rachel Whiteread, Richard Wilson and Bill Woodrow - these are the sculptors who have helped define sculpture, and here they are in their own words. From the Sculptor's Studio is a unique collection of personal conversations with 20 seminal artists, each of whom have created iconic work, exhibited worldwide, and pushed past the boundaries of sculpting in their own way. From the Sculptor's Studio contains 165 color images of the artists' work, as well as portraits of each of the sculptors.
Get Impressed! by
An in-depth overview on the world of letterpress: history, examples, designers and everything there is to know about the renewed interest by graphic design in movable types and typography.Today letterpress is in revival and widely used by graphic design in books, posters, bespoke stationery like invitations, name cards, letterheads and so on. Letterpress and typography designers like Alan Kitching or Jesús Morentin crave out their names in the computer-generated design world with beautiful-composed types. This book introduces the history and the process of letterpress printing and includes a list of classic movable types arranged in style order. The volume also includes letterpress designers, artists, type foundries, institutions, or even museums from all over the world, each with an elaborated biography and exclusive interviews with the most relevant professionals in this area. It will prove to be a handbook for type designers, letterpress designers, type lovers, design students and ordinary readers who enjoy crafts and prints. Letterpress is a Chinese invention from the 10th century consisting in movable types and later adopted in the western hemisphere about 1440, forever changed the face of communication and the speed in which information could be passed along from person to person.
Gordon Parks by
When Life magazine asked Gordon Parks to illustrate a recurring series of articles on crime in the United States in 1957, he had already been a staff photographer for nearly a decade, the first African American to hold this position. Parks embarked on a six-week journey that took him and a reporter to the streets of New York, Chicago, San Francisco and Los Angeles. Unlike much of his prior work, the images made were in color. The resulting eight-page photo-essay "The Atmosphere of Crime" was noteworthy not only for its bold aesthetic sophistication, but also for how it challenged stereotypes about criminality then pervasive in the mainstream media. They provided a richly-hued, cinematic portrayal of a largely hidden world: that of violence, police work and incarceration, seen with empathy and candor. Parks rejected clichés of delinquency, drug use and corruption, opting for a more nuanced view that reflected the social and economic factors tied to criminal behavior and a rare window into the working lives of those charged with preventing and prosecuting it. Transcending the romanticism of the gangster film, the suspense of the crime caper and the racially biased depictions of criminality then prevalent in American popular culture, Parks coaxed his camera to do what it does best: record reality so vividly and compellingly that it would allow Life's readers to see the complexity of these chronically oversimplified situations. The Atmosphere of Crime, 1957 includes an expansive selection of never-before-published photographs from Parks' original reportage. My assignment: explore crime across America. A journey through hell... The year was 1957. I rode with detectives through shadowy districts, climbed fire escapes, broke through windows and doors with them. Brutality was rampant. Violent death showed up from dawn to dawn. Gordon Parks Co-published with The Gordon Parks Foundation and The Museum of Modern Art, New York
The History of Video Games by
This book is a potted history of video games, telling all the roller coaster stories of this fascinating young industry that's now twice as big globally than the film and music industries combined. Each chapter explores the history of video games through a different lens, giving a uniquely well-rounded overview.Packed with pictures and stats, this book is for video gamers nostalgic for the good old days of gaming, and young gamers curious about how it all began. If you've ever enjoyed a video game, or you just want to see what all the fuss is about, this book is for you.There are stories about the experimental games of the 1950s and 1960s; the advent of home gaming in the 1970s; the explosion - and implosion - of arcade gaming in the 1980s; the console wars of the 1990s; the growth of online and mobile games in the 2000s; and we get right up to date with the 2010s, including such cultural phenomena as twitch.tv, the Gamergate scandal, and Fortnite.But rather than telling the whole story from beginning to end, each chapter covers the history of video games from a different angle: platforms and technology, people and personalities, companies and capitalism, gender and representation, culture, community, and finally the games themselves.
Holbein by
Stunning portraits by the renowned Renaissance artist illuminate fascinating figures from the European merchant class, intellectual elite, and court of King Henry VIII. Nobles, ladies, scholars, and merchants were the subjects of Hans Holbein the Younger (1497/98-1543), an inventive German artist best known for his dazzling portraits. Holbein developed his signature style in Basel and London amid a rich culture of erudition, self-definition, and love of luxury and wit before becoming court painter to Henry VIII. Accompanying the first major Holbein exhibition in the United States, this catalogue explores his vibrant visual and intellectual approach to personal identity. In addition to reproducing many of the artist's painted and drawn portraits, this volume delves into his relationship with leading intellectuals, such as Erasmus of Rotterdam and Thomas More, as well as his contributions to publishing and book culture, meticulous inscriptions, and ingenious designs for jewels, hat badges, and other exquisite objects. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 19, 2021, to January 9, 2022 and at the Morgan Library & Museum from February 11 to May 15, 2022.
Howardena Pindell : a new language by
Summary: "Artist, activist, writer, and teacher Howardena Pindell has been a force in contemporary art since the late 1960s. This book is a celebration and critical examination of her painting and writing and marks her first solo exhibition in the UK. It takes its title--and its cue--from her: 'I am an artist. I am not part of a so-called "minority", "new" or "emerging" or "a new audience". These are all terms used to demean, limit, and make people of color appear to be powerless. We must evolve a new language which empowers us and does not cause us to participate in our own disenfranchisement.' ... this book presents Pindell's inspiring and unflinchingly active imagination, and explores her articulation of a 'new language' as exemplary in articulating empowerment." --back cover.
Notes:
Catalog of an exhibition held at the Fruitmarket, Edinburgh, Scotland, Nov. 13, 2021-May 2, 2022; Kettle's Yard, Cambridge, England, July 2-Oct. 30, 2022; Spike Island, Bristol, England, Feb. 4-May 7, 2023.
How to Go Mad Without Losing Your Mind by
"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls "mad methodology." Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.
Identities and place : changing labels and intersectional communities of LGBTQ and two-spirit people in the United States by
Summary: "With a focus on historic sites, this volume explores the recent history of non- heteronormative Americans from the early twentieth century onward and the places associated with these communities. Authors explore how queer identities are connected with specific places: places where people gather, socialize, protest, mourn, and celebrate. The focus is deeper look at how sexually variant and gender non-conforming Americans constructed identity, created communities, and fought to have rights recognized by the government. Each chapter is accompanied by prompts and activities that invite readers to think critically and immerse themselves in the subject matter while working collaboratively with others"-- Provided by publisher
Krzysztof Wodiczko : instruments, monuments, projections by
Catalog of an exhibition held at National Museum of Modern and Contemporary Art, Seoul, South Korea, July 5-Oct. 9, 2017.
Includes booklet titled Krzysztof Wodiczko: my wish.
Includes bibliographical references.
Text in English and Korean.
Kusama: Cosmic Nature by
Experience the brilliant artist's lifelong obsession with nature and immersion in gardens, a bedrock of her hugely influential work. Yayoi Kusama's groundbreaking work has mesmerised audiences since her first exhibitions in New York in the 1960s. Known for working in a broad range of media - including painting, performance, sculpture, and installation--in recent decades she has risen to worldwide fame through the explosive popularity of her mesmerizing infinity mirror rooms and vibrant sculptural installations. Yet the critical importance of botanical imagery and the artist's interest in nature has been underrepresented in American exhibitions of Kusama's art to date. This landmark exhibition at the New York Botanical Garden, and the accompanying catalogue, will trace the artist's recurring engagement with natural forms and her surrealist exploration of biomorphism, patterns of accumulation inspired by organic growth, and visions of the boundlessness of the living universe. Integrating horticulture and art ranging from the artist's early sketches to her ever-popular monumental, immersive works and installations making their debut at NYBG, the volume - which features little-known work and archival images--will explore the profound impact of the natural world through new, critical perspectives on Kusama's philosophy of life.
Library by
Two of Canada's most famous visual artists take on the book medium in their own hilarious way Library is a collection of paintings by two of Canada's most influential contemporary artists, Michael Dumontier and Neil Farber. From the simple premise of the book title comes a series of images that are laugh-out-loud funny. A collection of book covers adorned with titles painted in simple handwritten fonts are displayed on brightly colored hardboard. Each book forms part of an ongoing series Dumontier and Farber started in 2009. In Dumontier and Farber's Library, titles like I Lost the Human Race, Change Your Relationship to Your Unchangeable Past, and I Have a Medical Condition That Makes It So I Don't Have to Talk to You offer surprising and astute observations, all in the duo's characteristic deadpan style. The simplicity of the shapes and text evokes an immediate but lasting profundity, with each piece causing one to wonder about the thoughts that roam their consciousness, and the books that take up residence on their--and our--shelves. Dumontier and Farber are founding members of the influential art collective the Royal Art Lodge, and have been collaborating on art projects for more than fifteen years, exhibiting internationally. Library is playful and insightful as it pokes and prods at the human condition.
Lisette Model by
Lisette Model captures a grotesque vision of postwar American society with her bold and ironic street photography Published alongside a double solo show with Horst P. Horst at CAMERA - Centro Italiano per la Fotografia, this book presents a selection of over 100 images by Austrian photographer Lisette Model (1901-83). Model is known primarily as an influential teacher to notable 20th-century photographers such as Diane Arbus and Larry Fink, but her own work as a pioneering and irreverent street photographer reveals a unique and grotesque vision of humanity--the close-up shots, the use of flash, the exasperated contrasts all accentuate the imperfections of the bodies, the flashy clothes, the coarse gestures. There is no interaction between Model and her subjects, who tend to be caught suddenly, while they eat, sing or gesticulate awkwardly, transformed by her shots into the characters of an irreverent human comedy. This is the first Italian-language volume to be published on the artist.
Liza Lou by
The most comprehensive book on the work of Liza Lou, whose popular and critically acclaimed installations made entirely of beads consider the important themes of women, community, and the valorisation of labour. Liza Lou first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of individual labor, this groundbreaking work subverted standards of art by introducing glass beads as a fine art material. The project blurred the rigid boundary between fine art and craft, and established Lou's long-standing exploration of materiality, process, and beauty. Working within a craft métier has led the artist to work in a variety of socially engaged settings, from community groups in Los Angeles, to a collective she founded in Durban, South Africa. Over the past fifteen years, Lou has focused on a poetic approach to abstraction as a way to highlight the process underlying her work. In this comprehensive volume that considers the entirety of Lou's singular vision, curators, art historians, and artists offer important perspectives on the breadth of the work.
Master Drawings Rediscovered by
For 50 years the State Hermitage Museum in St Petersburg held a treasure trove of work which had been taken from German private collections to the Soviet Union at the end of World War II, and was believed by the outside world to have been lost or destroyed. This book presents 89 of these works - drawings by major 19th- and 20th-century artists, including Goya, Daumier, Rowlandson, Cezanne, Delacroix, Ingres, Millet and Toulouse-Lautrec. Also among the drawings is one of Van Gogh's best-known works, the watercolour Boats at Saintes-Maries.
New Playful Data by
New Playful Data: Graphic Design and Illustration for Infographics features brilliant and illustrative infographic projects from gifted graphic designers, illustrators, artists, and even scientists. Not only do they visualize data in a tangible and memorable way through playful illustrations, but they also provide us with inspiration for balancing colors, words, and images, as well as for distinguishing between primary and secondary information when data is presented alongside pictures. The projects revealed in this volume are divided into three main categories: statistical findings, flow diagrams, and instruction and explanation. Some of the projects illustrate data acquired from rigorous and precise scientific research, while others are the product of designers' imagination and experimentation. It's time to learn to play with data!
Ogata Korin by
A lush portrait introducing one of the most important Japanese artists of the Edo period Best known for his paintings Irises and Red and White Plum Blossoms, Ogata Kōrin (1658-1716) was a highly successful artist who worked in many genres and media--including hanging scrolls, screen paintings, fan paintings, lacquer, textiles, and ceramics. Combining archival research, social history, and visual analysis, Frank Feltens situates Kōrin within the broader art culture of early modern Japan. He shows how financial pressures, client preferences, and the impulse toward personal branding in a competitive field shaped Kōrin's approach to art-making throughout his career. Feltens also offers a keen visual reading of the artist's work, highlighting the ways Kōrin's artistic innovations succeeded across media, such as his introduction of painterly techniques into lacquer design and his creation of ceramics that mimicked the appearance of ink paintings. This book, the first major study of Kōrin in English, provides an intimate and thought-provoking portrait of one of Japan's most significant artists.
Picturing Cuba by
Picturing Cuba explores the evolution of Cuban visual art and its links to cubanía, or Cuban cultural identity. Featuring artwork from the Spanish colonial, republican, and postrevolutionary periods of Cuban history, as well as the contemporary diaspora, these richly illustrated essays trace the creation of Cuban art through shifting political, social, and cultural circumstances.Contributors examine colonial-era lithographs of Cuba's landscape, architecture, people, and customs that portrayed the island as an exotic, tropical location. They show how the avant-garde painters of the vanguardia, or Havana School, wrestled with the significance of the island's African and indigenous roots, and they also highlight subversive photography that depicts the harsh realities of life after the Cuban Revolution. They explore art created by the first generation of postrevolutionary exiles, which reflects a new identity-lo cubanoamericano, Cuban-Americanness-and expresses the sense of displacement experienced by Cubans who resettled in another country. A concluding chapter evaluates contemporary attitudes toward collecting and exhibiting post-revolutionary Cuban art in the United States.Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island's people, culture, and history.
Poisoned Abstraction by
A definitive resource, full of fresh insights and new revelations, on one of the most influential interwar artists. This richly illustrated book offers a definitive new assessment of the oeuvre of Kurt Schwitters (1887-1948), a central figure of the interwar European avant-garde. Active as an artist, designer, publisher, performer, critic, poet, and playwright, Schwitters is best known for intimately scaled, materially rich collages and assemblages made from found objects--often refuse--that the artist described as having lost all contact with their role and history in the world at large. But as Graham Bader explores, such simple separation of art from life is precisely what Schwitters's "poisoned abstraction" calls into question. Considering works reaching from Schwitters's earliest collage-based pieces of 1918-19, through his 1920s advertising designs, to his seminal environmental installation the Merzbau, Bader carefully unpacks the meaning behind such projects and sheds new light on the tumultuous historical conditions in which they were made. In the process, he reveals a new Schwitters--aesthetically committed and politically astute--for our time. This authoritative account reframes our understanding of Schwitters's multifaceted artistic practice and explores the complex entwinement of art, politics, and history in the modern period.
¡Printing the Revolution! by
A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half century The 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United States. To call oneself Chicano--a formerly derogatory term--became a political and cultural statement, and Chicano graphic artists asserted this identity through their printmaking and activism. ¡Printing the Revolution! explores the remarkable legacy of Chicano graphic arts relative to major social movements, the way these artists and their cross-cultural collaborators advanced printmaking methods, and the medium's unique role in shaping critical debates about U.S. identity and history. From satire and portraiture to politicized pop, this volume examines how artists created visually captivating graphics that catalyzed audiences. Posters and prints announced labor strikes and cultural events, highlighted the plight of political prisoners, schooled viewers in Third World liberation movements, and, most significantly, challenged the invisibility of Mexican Americans in U.S. society. While screen printing was the dominant mode of printmaking during the civil rights era, this book considers how artists have embraced a wide range of techniques and strategies, from installation art to shareable digital graphics. This book shows how artists have used and continue to use graphic arts as a means to engage the public, address social justice concerns, and wrestle with shifting notions of the term Chicano. Lavishly illustrated and featuring three double gatefolds, ¡Printing the Revolution! presents a vibrant look at the past, present, and future of an essential aspect of Chicano art. Exhibition Schedule Smithsonian American Art Museum, Washington, DC May 14-August 8, 2021 Published in association with the Smithsonian American Art Museum, Washington, DC
Radical gaming : immersion, simulation, subversion
Summary: "... presents a selection of international artists who create interactive video games by subversively undermining the common narratives and stereotypes associated with this media. Their refusal to abide by the commercial and recreational logic of a global gaming industry sets the scene for their progressive, uncompromising, and thought-provoking works." --back cover.
Notes:
Catalog of an exhibition held at House of Electronic Arts, Basel, Switzerland, Sept. 1-Nov. 14, 2021.
Includes bibliographical references.
Sara Cwynar: Glass Life by
A feminist-inflected investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar's multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar's research-driven and visually complex images constitute the hallmarks of contemporary post-Pictures Generation work-in which photography is pursued in relation to film, sculpture, digital culture, and the cultural and technological history of image-making. Cwynar's work revolves around her interest in subjective notions of beauty through images; the fetishization of consumer objects and colors; and the exploration of the informal image archives that have emerged around the industrialization and capitalization of these ideas. As part of her core practice, Cwynar collects, arranges, and archives her eBay purchases and creates studio studies of these consumer objects, exploring how images circulate online and how the lives and purposes of both physical objects and their likenesses change over time. Sara Cwynar: Glass Life is a must-have sourcebook for understanding the multilayered practice of this celebrated, multidisciplinary artist.
Sensor by
Horror master Junji Ito explores a new frontier with a grand cosmic horror tale in which a mysterious woman has her way with the world! A woman walks alone at the foot of Mount Sengoku. A man appears, saying he's been waiting for her, and invites her to a nearby village. Surprisingly, the village is covered in hairlike volcanic glass fibers, and all of it shines a bright gold. At night, when the villagers perform their custom of gazing up at the starry sky, countless unidentified flying objects come raining down on them--the opening act for the terror about to occur! A woman walks alone at the foot of Mount Sengoku. A man appears, saying he's been waiting for her, and invites her to a nearby village. Surprisingly, the village is covered in hairlike volcanic glass fibers, and all of it shines a bright gold. At night, when the villagers perform their custom of gazing up at the starry sky, countless unidentified flying objects come raining down on them--the opening act for the terror about to occur!
Something over Something Else by
In November 1977, The New Yorker published a feature-length biography of artist Romare Bearden by Calvin Tomkins as part of its "Profiles" series. The essay, titled Profile: Putting Something Over Something Else (using Bearden's words to describe the creative process), brought national focus to Bearden, whose rise had seemed meteoric since the late 1960s. The experience of the interview prompted Bearden to launch an autobiographical collection he called Profiles. He sequenced the project in two parts: Part I, The Twenties, featuring memories from his youth in the South and in Pittsburgh, and Part II, The Thirties, about his early adult life in New York. Bearden collaborated with friend and writer Albert Murray on a short statement to accompany each piece. These appeared scripted onto the walls of the Profile exhibition to lead viewers on a visual and poetic journey. This landmark volume reassembles and reconsiders Bearden's Profile series. Beyond providing the opportunity to explore an understudied body of work, the project will investigate the roles of narrative and self-presentation for an artist who made a career of creating works based on memory and experience. It will also reveal Bearden's own gestures away from the autobiographical and toward a broader view.
Talk Art by
"All we wanted to do was make art accessible, non-academic, non-elitist, gossipy and fun" (Russell Tovey, quoted in the New York Times) Engaging, informative and open to everyone, Talk Art established itself as the must-listen cultural podcast in both the UK and the US, and it has now garnered 1.5 million downloads. With infectious enthusiasm, Russell and Robert have opened the doors to the art world and have welcomed people of all ages and backgrounds into the conversation. Talk Art, the book, is a beautiful and accessible celebration of contemporary art and a guidebook to navigating and engaging with the art world. Informal and jargon-free, this book proves that art really is for everyone. With a wealth of knowledge, Talk Art will become the must-have book that art lovers return to again and again. The book features highlights from interviews with: Tracey Emin, Rose Wylie, Helen Cammock, Jordan Casteel, Edward Enninful, Jerry Saltz, Elton John, Billy Porter, Grayson Perry, Michael Stipe, Lena Dunham, Rose McGowan, Ian McKellen, Deborah Frances-White, David Shrigley, Toyin Ojih Odutola and Michael Craig-Martin, among others. Chapters include: * Art & Feminism * Photojournalism as Art * Art & Political Change * How to Navigate the Art World * How do I Create My Own Collection? * Make Your Own Art * Highlights from popular features of the podcast, including 'Art Heist' and 'Favourite Colour'
The Autumn House Anthology of Contemporary American Poetry by
A comprehensive selection of work by 110 important American poets including Kim Addonizio, Jimmy Santiago Baca, George Bilgere, Chana Bloch, Lucille Clifton, Billy Collins, Toi Derricotte, Stephen Dobyns, Rita Dove, Denise Duhamel, Stephen Dunn, Terrance Hayes, Bob Hicok, Jane Hirshfield, Tony Hoagland, Marie Howe, Joy Katz, Jane Kenyon, Li-Young Lee, Philip Levine, Larry Levis, William Matthews, Jeffery McDaniel, Naomi Shihab Nye, Ed Ochester, Linda Pastan, and Natasha Tretheway.
Tim Davis: I'm Looking Through You by
I'm Looking Through You is an expansive, visual poem celebrating the glamorous surface of Los Angeles and its reach. Animating Davis's wry observations and mesmerizing, color-pop geometry of the images is his decades-long gimlet-eyed meditation on making pictures. As photographer and writer Tim Davis states, "The camera is a machine that sees only surfaces. The world casts its spell, and the camera gobbles up its glamour, uncritically, with pure certainty, assuming there is nothing underneath." Davis's keenly observational images, interspersed with a selection of his writings on the medium-the joys and pitfalls of camera seeing-solidify I'm Looking Through You as an unabashed celebration of photography.
Tomás Esson by
Tomás Esson: The GOAT is the first monograph of Afro-Cuban artist Tomás Esson. It features paintings created over a span of thirty-five years and showcases a distinct style that overflows with energy, biting humor, and suggestive narratives that often involve highly sexualized, monstrous creatures alongside the heroes of the Cuban Revolution. Coming of age in turbulent Havana, Tomás Esson (b. 1963) was a fierce critic of the social reality he saw around him. His work was showcased in a number of controversial exhibitions in the late 1980s, as the artist became a central figure in the decade's renaissance in Cuban art and he began to exhibit internationally. He left Cuba in 1990 and moved to the USA. Alongside his works this publication provides newly commissioned scholarship and reprints of critical texts that are no longer in circulation, proof that Esson is one of Cuba's most important post-Revolutionary artists, whose work remains timely today.
Under the Skin by
Under the Skin: Feminist Art and Art Histories from the Middle East and North Africa Today is set out to show what is beneath the surface, under the appearances of skin, body, colour and provenance, and not the cultural fixities or partial views detached from the realities of communities, cultures and practices from the area. Through 12 chapters, Under the Skin brings together artistic practices and complex histories informed by feminisms from diverse cultural and geographical contexts: Algeria, Egypt, Iran, Israel, Lebanon, Palestine, Saudi Arabia, Syria, Tunisia and Turkey. The aim is not to represent all of the countries from the Middle East and North Africa, but to present a cross-section that reflects the variety of nations, cultures, languages and identities across the area-including those of Berber, Mizrahi Jews, Kurdish, Muslim, Christian, Arab, Persian and Armenian peoples. It thus considers art informed by feminisms through translocal and transnational lenses of diverse ethnic, linguistic and religious groups not solely as a manifestation of multiple and complex social constructions, but also as a crucial subject of analysis in the project of decolonising art history and contemporary visual culture. The volume offers an understanding on how art responds to and shapes cultural attitudes towards gender and sexuality, ethnicity/race, religion, tradition, modernity and contemporaneity, and local and global politics. And it strives to strike a balance by connecting the studies of scholars based in the European-North American geography with those attached to the institutions in the Middle East and North Africa in order to stimulate different feminist and decolonial perspectives and debates on art and visual culture from the area.
Unravelling Women's Art by
The author unpicks the threads that link female textile artists and the arts they produce, revealing a global and historic patchwork of assorted roles, identities and representations.Entertaining as well as informative, this book offers a unique overview of female-centric textile art production including embroidery, weaving, soft sculpture and more.Includes over 20 interviews with contemporary textile artists, providing fascinating insights into their practices, themes and personal motivation.Tells us:How knitting became a spying device in wartimeWhy dress design was so important for the SuffragettesWhy spiders were emblems in ancient times and nowHow women's arts and crafts moved from the backroom to the gallery showroom
Wake by
A Best Book of 2021 by NPR and The Washington Post Part graphic novel, part memoir, Wake is an imaginative tour-de-force that tells the "powerful" (The New York Times Book Review) story of women-led slave revolts and chronicles scholar Rebecca Hall's efforts to uncover the truth about these women warriors who, until now, have been left out of the historical record. Women warriors planned and led revolts on slave ships during the Middle Passage. They fought their enslavers throughout the Americas. And then they were erased from history. Wake tells the "riveting" (Angela Y. Davis) story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always told her that enslaved women took a back seat. But Rebecca decides to look deeper, and her journey takes her through old court records, slave ship captain's logs, crumbling correspondence, and even the forensic evidence from the bones of enslaved women from the "negro burying ground" uncovered in Manhattan. She finds women warriors everywhere. Using a "remarkable blend of passion and fact, action and reflection" (NPR), Rebecca constructs the likely pasts of Adono and Alele, women rebels who fought for freedom during the Middle Passage, as well as the stories of women who led slave revolts in Colonial New York. We also follow Rebecca's own story as the legacy of slavery shapes her life, both during her time as a successful attorney and later as a historian seeking the past that haunts her. Illustrated beautifully in black and white, Wake will take its place alongside classics of the graphic novel genre, like Marjane Satrapi's Persepolis and Art Spiegelman's Maus. This story of a personal and national legacy is a powerful reminder that while the past is gone, we still live in its wake.
Wild Clay by
The ultimate illustrated guide for sourcing, processing and using wild clay. Potters around the world are taking to the local landscape to dig their own wild clay, discover its unique properties, and apply it to their craft. This guide is the ideal starting point for anyone - from novices, improvers and experts to educators and students - who wants to forge a closer bond between their art and their surroundings. Testing and trial and error are key to finding a material's best use, so the authors' tips, drawn from long experience in the US and Japan (but which can be applied to clays anywhere) provide an enviable head-start on this rewarding journey. A clay might be best suited to sculpture and tile bodies, throwing clay bodies, handbuilding and slab bodies, or simply be applied as a glaze or slip. The specific properties of found materials can create a diverse range of effects and surfaces, or, even when not fired, can be adapted for use as colorful pastels or pigments. Beautiful illustrations and helpful technical descriptions explain the formation of various clays; how to locate, collect and assess them; how to test their properties of shrinkage, water absorption, texture and plasticity; the best ways to test-fire them; and how to adapt a clay's characteristics by blending appropriate materials. From prospecting in the field to holding your finished product, there is helpful advice through every stage, and a gallery of work by international potters who have embraced the clays found around them.
Yayoi Kusama by
Avant-garde artist Yayoi Kusama's matchless creativity and originality have been captivating the world since she moved from Matsumoto, her hometown in Nagano, Japan, to the USA in 1958. In the last ten years alone, her retrospective exhibitions in four major European and American museums, including Tate Modern, London, and the Whitney Museum of American Art, New York, have seen record attendance. Kusama has continuously innovated and re-invented her style. Well-known for her repeating dot patterns, her art encompasses an astonishing variety of media, including painting, drawing, sculpture, film, performance and immersive installation. It ranges from works on paper featuring intense semi-abstract imagery, to soft sculpture known as 'Accumulations', to her 'Infinity Net' paintings, made up of carefully repeated arcs of paint built up into large patterns. This comprehensive publication, originally published to accompany a sell-out exhibition at Matsumoto City Museum of Art, offers a comprehensive overview of Kusama's entire career, including works from her youth, when she indulged in drawing in order to escape from her hallucinations; paintings made when she was based in New York, including 'Infinity Nets' and 'Polka Dots'; works from the1980s and 1990s, when she participated in the Venice Biennale; and last but not least, the ongoing large-scale series 'My Eternal Soul'. The plates are in chronological order and followed by detailed captions.